dc.contributorMaria Zilda Ferreira Cury
dc.contributorSandra Regina Goulart Almeida
dc.contributorAna Maria Chiarini
dc.creatorRoberta Torres Trajano
dc.date.accessioned2019-08-13T03:05:33Z
dc.date.accessioned2022-10-03T22:15:21Z
dc.date.available2019-08-13T03:05:33Z
dc.date.available2022-10-03T22:15:21Z
dc.date.created2019-08-13T03:05:33Z
dc.date.issued2014-04-28
dc.identifierhttp://hdl.handle.net/1843/ECAP-9JMJL9
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3797276
dc.description.abstractBrazilian writer Luiz Ruffato has progressively earned a significant space in the literary scene in recent years. By providing us all with narratives which apply language experimentation as a means of discussing the small dramas of anonymous people, he has aroused the big interest of critics. The purpose of this work is to analyze Luiz Ruffatos There were many horses [eles eram muitos cavalos] having as keywords both the urban space of the referred text and the expressive paradigm of contemporary mobility. The concept of non-place coined by Marc Augé (1994) will be herein used as theoretical support, among other terms, which will be approached as reading pivots of sorts, such as subjects in transit, anonymity and non-person. The theme of violence that marks the postmodern individuals condition after tragic events is herein made explicit through a kind of performance writing that transgresses the structure of traditional novels, by breaking off with the idea of sentence continuity and standard syntax.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectMobilidade
dc.subjectEspaço urbano
dc.subjectEscrita performática
dc.subjectAnonimato
dc.subjectSujeitos em trânsito
dc.titleSujeitos em trânsito: espaços urbanos em Eles eram muitos cavalos, de Luiz Ruffato
dc.typeDissertação de Mestrado


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