La pintura como proceso de identidad una reflexión sobre una paleta personal

Abstract

The objective of this work is to unveil and agree on common and divergent perceptual elements with the pictorial referents to generate an artistic reflection, starting from the perspective of painting and the conceptions of abstract expressionism of the twentieth and twenty-first centuries, from the analysis of the work of Jackson Pollock, and the theoretical perspective of Rudolf Arnheim, in which the painter aims to reflect and glimpse the aspects of a reality that can favor understanding and interpretation as a factor in the process of artistic creation, leading him towards a new search for development. artistic with the purpose of giving it an autobiographical sense, perfecting through practice and the gestural unfolding of the stain through color, shape, and perception, leaving aside the old tradition of painting on an easel, to transmit new ideas in the one that tries to highlight their emotions and feelings, addressing the relationship of a concept of identity. To underline the importance of painting as one of the universal languages, the influence of other artists such as Willen de Kooning, Jaspers Johns, and Yves Klein is important.