El proceso sentipensante de (re)componer el género. Incidencia de la mujer en la interpretación de la música carranguera en el departamento de Cundinamarca

Abstract

Through time, women in various spaces have fought for the vindication of their rights and with this the obtaining of equitable spaces; One of these spaces has been the participation in the interpretation and composition of various music. In Colombia, the insistence of women in wanting to be an important part of music has been great and complex. Now, in terms of traditional and peasant music, the struggle of peasant women has been even more so, since the machista traditions that are maintained in the regions are more coarse than in the cities. The carranga, despite being a genre born under the premises of popular struggle, the woman had not been a direct participant in it, the woman was inspiration as well as the peasant experiences. For the entrance of the new century, the woman decides not to be just a muse, now she is also a musician and singer of the genre, however, permeated by sexist discourses disguised as jocularity and mockery. As of 2010, women decide to sing, interpret and also write, 6 sharing their own experiences, from their female perspective, for this reason it is important for this work to analyze the incidence of women in Carranguera music, specifically in the department of Cundinamarca and likewise tell the experience of four carranguera music groups, where the role of women is paramount.