| dc.creator | Caballero Parra, Carlos Andrés | |
| dc.creator | Moreno Espinal, Jamir Mauricio | |
| dc.date.accessioned | 2019-11-08T21:23:38Z | |
| dc.date.accessioned | 2022-09-28T11:54:23Z | |
| dc.date.available | 2019-11-08T21:23:38Z | |
| dc.date.available | 2022-09-28T11:54:23Z | |
| dc.date.created | 2019-11-08T21:23:38Z | |
| dc.identifier | https://repository.unad.edu.co/handle/10596/29721 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3619435 | |
| dc.publisher | Universidad Nacional Abierta y a Distancia, UNAD | |
| dc.relation | http://hemeroteca.unad.edu.co/index.php/publicaciones-e-investigacion/article/view/1280/1616 | |
| dc.relation | http://hemeroteca.unad.edu.co/index.php/publicaciones-e-investigacion/article/view/1280/2030 | |
| dc.relation | /*ref*/BARTLETT, Bruce; BARTLETT, Jenny. Practical recording techniques. the step-by approach to professsional audio recording. 5th ed. Burlington, Mass: Focal Press/Elsevier, 2009. Pag. 101-163; 404-406. | |
| dc.relation | /*ref*/GIBSON, Bill. Instrument & vocal recording. 1st Ed. New York: Hal Leonard, 2007. Pag. 89-129. | |
| dc.relation | /*ref*/OWSINSKI, Bobby. The mixing engineer’s handbook. 2nd ed. Boston: Course technology, Cengage Learning, 2006. Pag. 24-37. | |
| dc.relation | /*ref*/MIYARA, Federico. Acústica y sistemas de sonidos. 4a ed. Buenos Aires: Universidad Nacional de Rosario, 2006. | |
| dc.relation | /*ref*/JARAMILLO JARAMILLO, Ana María. Acústica. La ciencia del sonido. 1a ed. Medellín: Instituto Tecnológico Metropolitano, 2007. | |
| dc.relation | /*ref*/GIBSON, Bill. Recording software & plug-ins. 1st ed. New York: Hal Leonard, 2007. Pag. 46-66; 101-121; 183-194. | |
| dc.relation | /*ref*/GIBSON, Bill. Mixing & mastering. 1st ed. New York: Hal Leonard, 2007. Pag. 61-72. | |
| dc.relation | /*ref*/CABALLERO PARRA, Carlos Andrés. La producción musical en estudio. 1a ed. Medellín: Instituto Tecnológico Metropolitano, 2010. | |
| dc.relation | /*ref*/HUBER, David Miles; RUNSTEIN, Robert E. Modern recording techniques. 7th ed. Burlington, Mass: Focal Press/Elsevier, 2010. Pag. 133-179; 291-391. | |
| dc.relation | /*ref*/IZHAKI, Roey. Mixing audio. Concepts, practices and tools. 7th ed. Burlington, Mass: Focal Press/Elsevier, 2010. Pag. 29-72. | |
| dc.relation | /*ref*/OWSINSKI, Bobby. The recording engineer’s handbook. 2nd ed. Boston: Course technology, Cengage Learning, 2009. Pag. 87-95. | |
| dc.rights | Copyright (c) 2016 Publicaciones e Investigación | |
| dc.rights | http://creativecommons.org/licenses/by-nc-sa/4.0 | |
| dc.source | Magazine specialized in Engineering; Vol. 8 (2014); 35 - 53 | |
| dc.source | Publicaciones e Investigación; Vol. 8 (2014); 35 - 53 | |
| dc.source | 2539-4088 | |
| dc.source | 1900-6608 | |
| dc.subject | Folclor, instrumentos virtuales, percusión. | |
| dc.title | Parámetros Técnicos de Captura en Instrumentos Musicales Percutidos del Folclor Colombiano Para su Uso en Bancos Virtuales de Sonidos | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
