dc.contributorReyes Victoria, David Patricio de los
dc.contributorMejía Sarmiento, Javier Ricardo
dc.contributorPatarroyo Godoy, Jaime Andrés
dc.creatorParra Robayo, Luis Felipe
dc.date.accessioned2022-06-28T16:38:57Z
dc.date.available2022-06-28T16:38:57Z
dc.date.created2022-06-28T16:38:57Z
dc.date.issued2022-06-24
dc.identifierhttp://hdl.handle.net/1992/58327
dc.identifierinstname:Universidad de los Andes
dc.identifierreponame:Repositorio Institucional Séneca
dc.identifierrepourl:https://repositorio.uniandes.edu.co/
dc.description.abstractDesign plays a key role in human culture. A growing body of evidence suggests that most design builds upon human understanding to expand the market. However, few professionals have given attention to unwitting consequences. Drawing from political, economic and social history, this paper argues that design has been instrumental to capitalist ends, thereby forgoing discipline values. The author conducts a case study and explores counterfactual scripting as a way to reflect on alternate presents. Results portray a discursive provotype and a methodology whereby discussion is encouraged. This paper should be of value to future and experienced practitioners interested in technology, critical design and work ethics.
dc.languageeng
dc.publisherUniversidad de los Andes
dc.publisherDiseño
dc.publisherFacultad de Arquitectura y Diseño
dc.publisherDepartamento de Diseño
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dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.titleDesign paradox: Reconsidering citizenship in a digital world
dc.typeTrabajo de grado - Pregrado


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