dc.contributorBell, Emma
dc.contributorMangia, Gianluigi
dc.contributorTaylor, Scott
dc.contributorToraldo, Maria Laura
dc.creatorHolt, Robin
dc.creatorYamauchi, Yutaka
dc.date.accessioned2020-10-27T15:25:46Z
dc.date.accessioned2022-09-23T18:54:50Z
dc.date.available2020-10-27T15:25:46Z
dc.date.available2022-09-23T18:54:50Z
dc.date.created2020-10-27T15:25:46Z
dc.identifierhttp://hdl.handle.net/20.500.12010/14970
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3509615
dc.description.abstractOn encountering the West midway through the nineteenth century, Japan was diverted, reluctantly, from the long- travelled, twisting paths that it had been following into its own interior for centuries. These westernising forces came embodied in the black ships of Commodore Matthew Perry. As well as troops, they were carrying letters from the US government insisting (as was the way with this enthusiastic, upstart nation) that it be allowed to establish trading ports along the Japanese coast. After much procrastination (or so it seemed from a Western point of view) the Shogunate acceded, and the islands changed irrevocably. For one, the political turmoil that ensued overturned the Shogunate and enacted the country of Japan. The destinies of different dynastic prefectures that had historically gathered in little more than loose alignments became braided in increasingly tighter and more intricate patterns. As the ports were established and grew in size and wealth, new political and social structures also emerged in an attempt to administer them. Without any explicit design the islands found themselves acting together.
dc.languageeng
dc.publisherRoutledge
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAbierto (Texto Completo)
dc.subjectCraft work
dc.subjectMeanings and materiality
dc.subjectArtes industriales
dc.titleThe organization of craft Work Identities, meanings, and materiality


Este ítem pertenece a la siguiente institución