| dc.contributor | Mackillop, Ian | |
| dc.contributor | Sinyard, Neil | |
| dc.date.accessioned | 2020-11-25T16:33:30Z | |
| dc.date.accessioned | 2022-09-23T18:18:00Z | |
| dc.date.available | 2020-11-25T16:33:30Z | |
| dc.date.available | 2022-09-23T18:18:00Z | |
| dc.date.created | 2020-11-25T16:33:30Z | |
| dc.identifier | 0 7190 6488 | |
| dc.identifier | https://www.jstor.org/stable/j.ctt155j4jm | |
| dc.identifier | http://hdl.handle.net/20.500.12010/16033 | |
| dc.identifier | 10.7765/9781526137272 | |
| dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3498575 | |
| dc.description.abstract | Tthis book is an event which took place on
Saturday, 5 December 1998 at the British Library in London. It was a study
day consisting of lectures about British cinema in the 1950s: most of these are
printed here, with an equal number of new essays which have been written
since. In the evenings of the week preceding the study day, seven films were
screened. They appeared under the headings of ‘Festive Fifties’ (The Impor-
tance of Being Earnest, in a sparkling new print), ‘Community Fifties’ (John
and Julie and The Browning Version), ‘Tough Fifties’ (Women of Twilight
and Hell Drivers) and ‘Women’s Fifties’ (My Teenage Daughter and Yield to
the Night). | |
| dc.language | eng | |
| dc.publisher | Manchester University Press | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.rights | Abierto (Texto Completo) | |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/3.0/ | |
| dc.subject | British cinema | |
| dc.title | British cinema of the 1950s: a celebration | |
