Exploring the musicalization of texts in gregorian chant using data analytics

dc.contributorIxent, Galpin
dc.creatorMiguel Angel, Hernández Benavides
dc.date.accessioned2020-09-23T14:06:17Z
dc.date.accessioned2022-09-23T18:01:57Z
dc.date.available2020-09-23T14:06:17Z
dc.date.available2022-09-23T18:01:57Z
dc.date.created2020-09-23T14:06:17Z
dc.identifierhttp://hdl.handle.net/20.500.12010/13671
dc.identifierhttp://expeditio.utadeo.edu.co
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3493513
dc.description.abstractApplying an algorithm for local sequence alignment in the DNA to 1,273 chants organized in pairs, a similarity percent of its texts and melodies was obtained. This generated 68,810,000 records. Using Descriptive Analytics, we conclude: in punctuation marks the sound duration is lengthened, stop words are musicalized using few pitches, semantic of text do not determine always how to musicalize it, the centonization process was influenced by the chant type and ethos (mode) reusing mostly phrases. These conclusions help to perform and musicalize latin texts for the Proper of the Mass. Finally, a future work in digital humanities is proposed.
dc.languageeng
dc.publisherUniversidad de Bogotá Jorge Tadeo Lozano
dc.publisherMaestría en Ingeniería y Analítica de Datos
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dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAbierto (Texto Completo)
dc.sourceinstname:Universidad de Bogotá Jorge Tadeo Lozano
dc.sourcereponame:Expeditio Repositorio Institucional UJTL
dc.subjectData Analytics
dc.subjectGregorian Chant
dc.subjectMusicalization of texts
dc.subjectCentonization
dc.subjectText and melody similarity
dc.titleExploring the musicalization of texts in gregorian chant using data analytics


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