Cuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura

dc.creatorRueda-Plata, Carlos Iván
dc.date.accessioned2017-09-05T20:19:09Z
dc.date.available2017-09-05T20:19:09Z
dc.date.created2017-09-05T20:19:09Z
dc.date.issued2014-12
dc.identifierRueda-Plata, C. I. (2014). Cuestiones de método creativo. Metamorfosis y conciencia material en los procesos creativos en arquitectura. Revista de Arquitectura, 16 (1), p. 58-67 doi:10.14718/RevArq.2014.16.7
dc.identifier1657-0308 (impreso)
dc.identifier2357-626X (electrónico)
dc.identifierhttp://hdl.handle.net/10983/14889
dc.description.abstractBy inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place-making, whether it is: built, electronically mediated or “paper architecture.” The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusions
dc.description.abstractAl indagar en el arte poética, la fenomenología y los estudios en teoría del hacer tecnológico, este artículo busca acercar los procesos creativos en arquitectura a su esencia imaginativa. Se presentan asuntos de método creativo siguiendo una secuencia discursiva encadenada, cuya hipótesis demostrativa inicia con la idea de que crear arquitectura es hacer lugar: sea construida, mediada electrónicamente o “de papel”. Se demuestra que los conceptos de lugar y poesía son análogos, trayendo fuentes del ámbito literario y la fenomenología. Seguidamente, se exploran procesos poéticos de la imaginación (metáfora y metamorfosis), ofreciendo ejemplos arquitectónicos agrupados en tres categorías en las que una conciencia material se hace presente en forma de metamorfosis. El desarrollo del estudio comprendió construir un marco interpretativo comparando autores y textos de diverso origen disciplinar —desde una situación interpretativa hermenéutica específica de la arquitectura—, para luego aplicar el constructo conceptual resultante al análisis de obras arquitectónicas, llegando a conclusiones demostrativas
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dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAtribución-NoComercial-SinDerivadas 4.0 Internacional (CC BY-NC-ND 4.0)
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsDerechos Reservados - Universidad Católica de Colombia, 2014
dc.subjectIMAGINACIÓN
dc.subjectFENOMENOLOGÍA DEL LUGAR
dc.subjectMETÁFORA
dc.subjectPOESÍA
dc.subjectTEORÍA Y CRÍTICA DE LA ARQUITECTURA
dc.subjectIMAGINATION
dc.subjectPHENOMENOLOGY OF PLACE
dc.subjectMETAPHOR
dc.subjectPOETRY
dc.subjectARCHITECTURE THEORY AND CRITICISM
dc.titleCuestiones de método creativo: Metamorfosis y conciencia material en los procesos creativos en arquitectura
dc.typeArtículo de revista


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