dc.contributorFinol, José Enrique
dc.contributorCabrejo Cobián, José Carlos
dc.creatorFinol, José Enrique
dc.creatorCabrejo Cobián, José Carlos
dc.date.accessioned2021-07-19T20:45:29Z
dc.date.available2021-07-19T20:45:29Z
dc.date.created2021-07-19T20:45:29Z
dc.date.issued2020
dc.identifierFinol, J. E. & Cabrejo, J. C. (2020). La leche y la sangre, el cuerpo y el espíritu: significaciones de lo corporal en La teta asustada, de Claudia Llosa. Signo y Pensamiento, 39(77). https://doi.org/10.11144/Javeriana.syp39-76.lsce
dc.identifier2027-2731
dc.identifierhttps://hdl.handle.net/20.500.12724/13610
dc.identifierSigno y Pensamiento
dc.identifierhttps://doi.org/10.11144/Javeriana.syp39-76.lsce
dc.description.abstractThis work shows the results from a research on the film La teta asustada (2009) by the Peruvian director Claudia Llosa. An innovative approach is proposed for the analysis and interpretation of the film in order to highlight some aspects barely dealt with in the previous bibliography on this topic. We start with a principle stating that the body is an essential element in the semiotization of the world, an aspect extensively and intensively developed in this film. A proposal consisting of five types of corporeity (spatial, temporal, sexual, vegetal and vital) is proposed. They shape a specific sense of corporeity, a concept understood as a set of imageries associated with the body in a specific context and historic time.
dc.languageeng
dc.publisherPontificia Universidad Javeriana
dc.publisherCO
dc.relationurn:issn2027-2731
dc.rightshttps://creativecommons.org/licenses/by/4.0/
dc.rightsinfo:eu-repo/semantics/openAccess
dc.sourceRepositorio Institucional - Ulima
dc.sourceUniversidad de Lima
dc.subjectSemiótica
dc.subjectCuerpo humano
dc.subjectPelículas cinematográficas
dc.subjectSemiotics
dc.subjectBody, human
dc.subjectMotion pictures
dc.titleLa leche y la sangre, el cuerpo y el espíritu: significaciones de lo corporal en La teta asustada, de Claudia Llosa
dc.typeinfo:eu-repo/semantics/article


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