dc.contributorThe University of the West Indies, St Augustine Campus, Trinidad and Tobago
dc.creatorJoseph, Terry
dc.date.accessioned2015-09-21T16:16:00Z
dc.date.accessioned2019-08-05T17:55:41Z
dc.date.available2015-09-21T16:16:00Z
dc.date.available2019-08-05T17:55:41Z
dc.date.created2015-09-21T16:16:00Z
dc.date.issued8-Jul-96
dc.identifierJoseph, Terry. "How Great Thine Art: Playing Pan for St Peter." Express. 8 Jul. 1996: 24. Print.
dc.identifierhttp://hdl.handle.net/2139/40595
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/3008724
dc.description.abstractThere is something morbid about the ease with which pan-round-the-neck groups are steadily increasing their share of the dwindling steelband money pie, while research geared toward development of the conventional instrument is stymied by a lack of funding. Joseph criticizes the bands participating in the St Peter's Day Pan Jam and laments the rise in the number of pan round the neck groups as a retrogressive musical dinosaur.
dc.publisherExpress
dc.rights©Trinidad Express Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.
dc.titleHow Great Thine Art: Playing Pan for St Peter


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