dc.contributor | The University of the West Indies, St Augustine Campus, Trinidad and Tobago | |
dc.creator | Joseph, Terry | |
dc.date.accessioned | 2015-09-21T16:16:00Z | |
dc.date.accessioned | 2019-08-05T17:55:41Z | |
dc.date.available | 2015-09-21T16:16:00Z | |
dc.date.available | 2019-08-05T17:55:41Z | |
dc.date.created | 2015-09-21T16:16:00Z | |
dc.date.issued | 8-Jul-96 | |
dc.identifier | Joseph, Terry. "How Great Thine Art: Playing Pan for St Peter." Express. 8 Jul. 1996: 24. Print. | |
dc.identifier | http://hdl.handle.net/2139/40595 | |
dc.identifier.uri | http://repositorioslatinoamericanos.uchile.cl/handle/2250/3008724 | |
dc.description.abstract | There is something morbid about the ease with which pan-round-the-neck groups are steadily increasing their share of the dwindling steelband money pie, while research geared toward development of the conventional instrument is stymied by a lack of funding. Joseph criticizes the bands participating in the St Peter's Day Pan Jam and laments the rise in the number of pan round the neck groups as a retrogressive musical dinosaur. | |
dc.publisher | Express | |
dc.rights | ©Trinidad Express Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. | |
dc.title | How Great Thine Art: Playing Pan for St Peter | |