dc.contributorFeltran, Gabriel de Santis
dc.contributorhttp://lattes.cnpq.br/6789864439048444
dc.contributorhttp://lattes.cnpq.br/8260631356720463
dc.creatorTakahashi, Henrique Yagui
dc.date.accessioned2015-02-09
dc.date.accessioned2016-06-02T20:39:21Z
dc.date.available2015-02-09
dc.date.available2016-06-02T20:39:21Z
dc.date.created2015-02-09
dc.date.created2016-06-02T20:39:21Z
dc.date.issued2014-06-10
dc.identifierTAKAHASHI, Henrique Yagui. Evangelho segundo Racionais MC'S: ressignificações religiosas, políticas e estético-musicais nas narrativas do rap. 2014. 162 f. Dissertação (Mestrado em Ciências Humanas) - Universidade Federal de São Carlos, São Carlos, 2014.
dc.identifierhttps://repositorio.ufscar.br/handle/ufscar/6772
dc.description.abstractThe present work consists in a study concerning the ressignifications in the narratives of Racionais MC s group of rap about the daily life of the urban peripheries in the city of São Paulo, during the years 1990 to 2000. These ressignifications about the peripheral dayafter- day would be in three aspects: religious a narrative composition of the rappers using the moral and ethical Christian notions, reviving a biblical narrative, more specifically of Livro Êxodo, and Livro Gênesis and the Jesus Christ, thus presenting a relevance of the peripheral pentecostal universe; politic the rap s subversive and critical bias, arising from the American black leaders discourse such as Malcolm X s, the Brazilian re-democratization process with political participation of the popular classes, and the hip-hop as political, cultural and artistic critic movement to the injustices and social inequalities in the urban peripheries engendered by capitalism and racism; and esthetic-musical through the notion of sample, audible clipping of a music or environment sounds (for example a car exhaust s noise), that composed with other musical elements would constitute the sonority while rap s expressivity constitutive elements, using mainly the black aesthetic-musical genres such as: funk, disco, gospel, soul, samba and pagode. Based on the albums Sobrevivendo no inferno [Surviving in Hell] (1997), and Nada como um dia após outro dia [Nothing as One Day after Another Day] (2002), I shall present their songs as narratives that hybridize political, religious and esthetic-musical elements, thus, establishing a Gospel according to Racionais MC s.
dc.publisherUniversidade Federal de São Carlos
dc.publisherBR
dc.publisherUFSCar
dc.publisherPrograma de Pós-Graduação em Sociologia - PPGS
dc.rightsAcesso Aberto
dc.subjectMúsica - sociologia
dc.subjectRap
dc.subjectNarrativas
dc.subjectRessignificações
dc.subjectRacialidade
dc.subjectBíblia
dc.subjectNarratives
dc.subjectRessignifications
dc.subjectBiblie
dc.subjectRaciality
dc.subjectSão Paulo
dc.titleEvangelho segundo Racionais MC'S: ressignificações religiosas, políticas e estético-musicais nas narrativas do rap
dc.typeTesis


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