dc.contributor | Universidade Estadual Paulista (Unesp) | |
dc.date.accessioned | 2018-12-11T17:34:39Z | |
dc.date.available | 2018-12-11T17:34:39Z | |
dc.date.created | 2018-12-11T17:34:39Z | |
dc.date.issued | 2017-09-06 | |
dc.identifier | ACM International Conference Proceeding Series, v. Part F130947, p. 61-66. | |
dc.identifier | http://hdl.handle.net/11449/179309 | |
dc.identifier | 10.1145/3106548.3106610 | |
dc.identifier | 2-s2.0-85032507991 | |
dc.description.abstract | The article deals with how a thought acquired from experience in the exploration of a new technology, transforms the worldview, which is embodied in the production procedures with traditional materials and previous technologies, revealing possibilities not yet perceived. Digital thinking acquired in the stage of the digital revolution, period of shaking as an earthquake, is present in the post-digital era, period of incorporation and normalization of digital in daily life. This presence is pointed through art-technology and design products, which dont use digital technology, but which reveal aspects emphasized by the digital. | |
dc.language | eng | |
dc.relation | ACM International Conference Proceeding Series | |
dc.rights | Acesso aberto | |
dc.source | Scopus | |
dc.subject | Art-technology | |
dc.subject | Design | |
dc.subject | Digital thinking | |
dc.subject | Post digital | |
dc.title | Digital thinking in art and design | |
dc.type | Actas de congresos | |