dc.contributorUniversidade Anhembi Morumbi
dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-12-11T17:08:39Z
dc.date.available2018-12-11T17:08:39Z
dc.date.created2018-12-11T17:08:39Z
dc.date.issued2016-07-01
dc.identifierCuadernos de Musica, Artes Visuales y Artes Escenicas, v. 11, n. 2, p. 75-86, 2016.
dc.identifier2215-9959
dc.identifier1794-6670
dc.identifierhttp://hdl.handle.net/11449/173991
dc.identifier10.11144/Javeriana.mavae11-2.grca
dc.identifier2-s2.0-85007317831
dc.description.abstractThe local culture is reflected in the environment producing experiences of varying quality. In this sense, artistic interventions in urban space motivate a number of meanings in the city, because the perception of each individual's circumstances changed viewing environment. This article discusses the reverse graffiti, an artistic intervention which involves making drawings by cleaning surfaces, consequently attracting a critical reading of pollution. In this regard, an exploratory analysis of the work Ossário, that the Brazilian artist Alexandre Orion develop. This action, carried out in tunnels, in the city of São Paulo, showed nuances that highlighted an aspect that went unnoticed before: dirt. Thus, reverse graffiti of Alexandre Orion reveals not only the lack of cleanliness in urban areas, but the negligence of the authorities to these places.
dc.languagespa
dc.relationCuadernos de Musica, Artes Visuales y Artes Escenicas
dc.relation0,100
dc.rightsAcesso restrito
dc.sourceScopus
dc.subjectAlexandre Orion
dc.subjectArtistic interventions
dc.subjectOssário
dc.subjectReverse graffiti
dc.titleGrafite reverso: Crítica e arte na invisibilidade do espaço urbano
dc.typeOtros


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