dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-29T05:07:18Z
dc.date.available2018-11-29T05:07:18Z
dc.date.created2018-11-29T05:07:18Z
dc.date.issued2017-06-01
dc.identifierVia Atlantica. Sao Paulo: Univ Sao Paulo, Fac Filosofia Letras & Ciencias Humanas, v. 31, p. 313-329, 2017.
dc.identifier1516-5159
dc.identifierhttp://hdl.handle.net/11449/165942
dc.identifierWOS:000419277800019
dc.description.abstractThere is no way to traverse the poetic work of Charles Baudelaire without considering at any moment, and is expected not to be late, the persistence of poetic correspondences. In this work, through an intersemiotic analysis of language systems, we highlight structural correspondences between two sonnets of Les fleurs du mal and the plastic modernity of the works of Wassily Kandinsky and Jackson Pollock. A central and determining aspect to the comparative readings we will present, the theory of correspondences in Baudelaire's poetry becomes an inescapable subject for any comparative approach between his poetry and the plastic works of modernity.
dc.languagepor
dc.publisherUniv Sao Paulo, Fac Filosofia Letras & Ciencias Humanas
dc.relationVia Atlantica
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectBaudelaire
dc.subjectintersemiotic
dc.subjectcorrespondence
dc.subjectarts
dc.subjectmodernity
dc.titleCHARLES BAUDELAIRE AND THE SPIRITUAL IN THE ARTS: A COMPARATIVE STUDY BETWEEN POETRY AND MODERN PAINTING
dc.typeArtículos de revistas


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