Artículos de revistas
The First Ethnographic Documentary? Luiz Thomaz Reis, the Rondon Commission and the Making of Rituais e Festas Bororo (1917)
Fecha
2017-01-01Registro en:
Visual Anthropology. Abingdon: Routledge Journals, Taylor & Francis Ltd, v. 30, n. 2, p. 105-146, 2017.
0894-9468
10.1080/08949468.2017.1276383
WOS:000395121000001
WOS000395121000001.pdf
6539261486388368
0000-0001-9749-6126
Autor
Universidade de São Paulo (USP)
Universidade Estadual Paulista (Unesp)
Univ Manchester
Institución
Resumen
Although rarely mentioned in English-language texts, Rituais de Festas Bororo has long been acknowledged as a masterpiece of early ethnographic film in the French and Brazilian literature. Shot in 1916 by a Brazilian army officer, Luiz Thomaz Reis, and released in 1917, the film is mainly about the funeral ceremony of the Bororo, an indigenous people of Central Brazil. Here we contrast this work with other ethnographic films of the period and suggest that it has a strong claim to be seen as the first ethnographic documentary in the modern sense of the term. We also consider the political circumstances that led to the filming in this particular form, its status as an ethnographic account of the funeral, and its place in the personal filmography of Luiz Thomaz Reis.