dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T16:05:03Z
dc.date.available2018-11-26T16:05:03Z
dc.date.created2018-11-26T16:05:03Z
dc.date.issued2018-09-01
dc.identifierUrdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 2, n. 32, p. 461-475, 2018.
dc.identifier1414-5731
dc.identifierhttp://hdl.handle.net/11449/160570
dc.identifier10.5965/1414573102322018461
dc.identifierWOS:000444280200034
dc.description.abstractOne of the phenomena that have become apparent in the world of theater at the beginning of the 20th century was its approach to the visual arts. Such phenomenon still reverberates nowadays by innumerous artistic manifestations that are constantly seeking for the development of innovative ways of making art. Visual Theater, in turn, emerges as a new theatrical language, which is marked by the existing hybridity in the interface between theater and visual arts, and therefore, brings to the stage a series of elements that are conjured up at the same poetical level among both types of arts: puppets, objects, actors and actresses etc. In that way, this kind of work intends to give voice to a theatrical language whose concepts are under development and that are still an unknown territory, especially in Brazil. This article presents a general view about this universe emphasizing the human presence in scene.
dc.languagepor
dc.publisherUniv Estado Santa Catarina-udesc
dc.relationUrdimento-revista De Estudos Em Artes Cenicas
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectVisual Theater
dc.subjectvisual Arts
dc.subjecthybridity
dc.titleVisual theater as performative theater
dc.typeArtículos de revistas


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