Between fragments, the Branco background

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T15:47:24Z
dc.date.available2018-11-26T15:47:24Z
dc.date.created2018-11-26T15:47:24Z
dc.date.issued2017-01-01
dc.identifierSala Preta. Sao Paulo: Univ Sao Paulo, Escola Comunicacoes & Artes, v. 17, n. 2, p. 421-429, 2017.
dc.identifier2238-3867
dc.identifierhttp://hdl.handle.net/11449/160076
dc.identifier10.11606/issn.2238-3867.v17i2p421-429
dc.identifierWOS:000424516700030
dc.description.abstractThe article tries to approach how the play Branco: o cheiro do lirio e do formol brings for its formal structure the marks and scars of the social collision generated during its production and subsequent presentations. Therefore, the fissures, fragmentations and the attempts of elucidation of the speech started to be formal witnesses of a historical moment in the debate about racism in Sao Paulo. As this article is a reverberation of the show, it tries to debate those subjects also in the formal structure of the text, trying to contemplate in the writing process the discussed theatrical subjects.
dc.languagepor
dc.publisherUniv Sao Paulo, Escola Comunicacoes & Artes
dc.relationSala Preta
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectRacism
dc.subjectTheatricality
dc.subjectFragmentation
dc.subjectPerformativity
dc.titleBetween fragments, the Branco background
dc.typeArtículos de revistas


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