dc.contributorUniversidade Estadual Paulista (Unesp)
dc.contributorUniv Franca
dc.date.accessioned2018-11-26T15:45:52Z
dc.date.available2018-11-26T15:45:52Z
dc.date.created2018-11-26T15:45:52Z
dc.date.issued2017-10-01
dc.identifierLinha D Agua. Sao Paulo: Univ Sao Paulo, Fac Filosofia Letras & Ciencias Humanas, v. 30, n. 2, p. 113-128, 2017.
dc.identifier0103-3638
dc.identifierhttp://hdl.handle.net/11449/159949
dc.identifier10.11606/issn.2236-4242.v30i2p113-128
dc.identifierWOS:000417375100008
dc.identifier8827698477373212
dc.identifier0000-0001-7453-1734
dc.description.abstractThis article analyzes Mil rosas roubadas, written by Silviano Santiago in 2014, dealing with the notions of (auto) biography, (auto) biographical novel, metafiction and autofiction. Although the creation of this last word may indicate the existence of a new genre - it is even adopted by the writer himself to name his work -, the article shows the pertinence of placing Mil rosas roubadas in the route of the transformations and stylisations of the (auto) biographical novel, such as examined by M. Bakhtin. The novel is, for Bakhtin, a genre without rigid forms, an unfinished genre, as it always follows the inflections of social life. In this way the ressemantization of the self, proposed by Silviano Santiago, is analyzed.
dc.languagepor
dc.publisherUniv Sao Paulo, Fac Filosofia Letras & Ciencias Humanas
dc.relationLinha D Agua
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectSilviano Santiago
dc.subjectBakhtin
dc.subject(auto) biographical novel
dc.subjectMetafiction
dc.subjectAutofiction
dc.titleMIL ROSAS ROUBADAS, WORK OF SILVIANO SANTIAGO: A BAKHTINIAN ANALYSIS
dc.typeArtículos de revistas


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