dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T15:45:40Z
dc.date.available2018-11-26T15:45:40Z
dc.date.created2018-11-26T15:45:40Z
dc.date.issued2015-01-01
dc.identifierEari-educacion Artistica-revista De Investigacion. Valencia: Univ Valencia, Dept Prehistoria & Arqueologia, n. 6, p. 99-109, 2015.
dc.identifier1695-8403
dc.identifierhttp://hdl.handle.net/11449/159904
dc.identifier10.7203/eari.6.3510
dc.identifierWOS:000414601000007
dc.identifierWOS000414601000007.pdf
dc.description.abstractThe purpose of this article is to present a reflection relating historical knowledge to art/educator and knowledge of arts education for the historian/ educator. Utilizing some examples of the collection, display and educational work from Paulista Museum/USP, Sao Paulo / SP, Brazil, I try to develop some considerations about the different contexts involved in educational work in history museums. Sharing and relating the ideas of emancipation by Jacques Ranciere, and pedagogy of event by Dennis Atkinson, like as a action against the rhetoric of the certainties of History of Art starting from some considerations of Didi-Huberman, I seek to present possible situations into a reality of teaching and learning in history museums which take into account not only the context of production of the visual culture and its exhibition, but also the context of reception of these images.
dc.languagespa
dc.publisherUniv Valencia, Dept Prehistoria & Arqueologia
dc.relationEari-educacion Artistica-revista De Investigacion
dc.rightsAcesso aberto
dc.sourceWeb of Science
dc.subjectArts Education
dc.subjectHistory
dc.subjectArt History
dc.subjectMuseum Education
dc.subjectPaulista Museum
dc.titleArt/Education/History, a dialectic of the teaching/learning process in History museums:Paulista Museum as a case study
dc.typeArtículos de revistas


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