Narrating the Socially Forgotten. Resistance Romance in the Era of State Terror in Brazil

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T15:45:30Z
dc.date.available2018-11-26T15:45:30Z
dc.date.created2018-11-26T15:45:30Z
dc.date.issued2015-12-01
dc.identifierConstelaciones-revista De Teoria Critica. Madrid: Soc Estudios Teoria Critica, v. 7, p. 202-221, 2015.
dc.identifier2172-9506
dc.identifierhttp://hdl.handle.net/11449/159857
dc.identifierWOS:000412392900012
dc.description.abstractThis essay analyzes, having as theoretical parameter aesthetic analysis of Theodor Adorno and Walter Benjamin's conception of history, as the novel produced in the period of the Brazilian military dictatorship (1964-1985) was negatively affected by it. At the same time, seeks to identify and analyze the ways in which the novel responded to the state terror, through the fight by narrating the historical matter repressed prohibited, forbidden: thus highlights how he, in contrast to the official version of events, narrated socially forgotten in order to reconstruct the atrocities and massacres that occurred in the period.
dc.languagepor
dc.publisherSoc Estudios Teoria Critica
dc.relationConstelaciones-revista De Teoria Critica
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectliterature
dc.subjectresistance
dc.subjectnarration
dc.subjectforgetfulness
dc.subjectstate terror
dc.subjectCritical Theory
dc.titleNarrating the Socially Forgotten. Resistance Romance in the Era of State Terror in Brazil
dc.typeArtículos de revistas


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