Radio and the emergence of Electroacoustic Music in Europe and in Brazil

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T15:38:30Z
dc.date.available2018-11-26T15:38:30Z
dc.date.created2018-11-26T15:38:30Z
dc.date.issued2016-09-01
dc.identifierRevista Vortex-vortex Music Journal. Curitiba: Univ Estadual Parana, Escola Musica & Belas Artes Parana, v. 4, n. 2, 11 p., 2016.
dc.identifier2317-9937
dc.identifierhttp://hdl.handle.net/11449/159351
dc.identifierWOS:000393218600011
dc.description.abstractThis article made a historical retrospective about the beginning of the electroacoustic music and its changes towards the listener's reception from that time. To do that, it was aimed to establish a comparison between its arisen in Europe and in Brazil throughout a research of the role of the Radio to its development. The methodology of this work consists of a documental and bibliographical research.
dc.languagepor
dc.publisherUniv Estadual Parana, Escola Musica & Belas Artes Parana
dc.relationRevista Vortex-vortex Music Journal
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectconcrete music
dc.subjectelectronic music
dc.subjectradio
dc.subjecttechnology
dc.subjectlistener
dc.titleRadio and the emergence of Electroacoustic Music in Europe and in Brazil
dc.typeArtículos de revistas


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