The use of the text in the compositional process of Arnold Schoenberg's Erwartung

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2018-11-26T15:38:29Z
dc.date.available2018-11-26T15:38:29Z
dc.date.created2018-11-26T15:38:29Z
dc.date.issued2016-09-01
dc.identifierRevista Vortex-vortex Music Journal. Curitiba: Univ Estadual Parana, Escola Musica & Belas Artes Parana, v. 4, n. 2, 36 p., 2016.
dc.identifier2317-9937
dc.identifierhttp://hdl.handle.net/11449/159350
dc.identifierWOS:000393218600003
dc.description.abstractThe following article sought to determine which were the implications of the junction between text and music and in which way it dictated, determined or aided the compositional process of a large-sized atonal and athematic piece. Thus, based on previous researches and in musical analysis, an explanation about the symbiotic aspects between the two languages and the essential structural elements in the compositional process is shown.
dc.languagepor
dc.publisherUniv Estadual Parana, Escola Musica & Belas Artes Parana
dc.relationRevista Vortex-vortex Music Journal
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectRelationship between text and music
dc.subjectErwartung
dc.subjectArnold Schoenberg
dc.subjectAtonal Music
dc.subjectMusical Expressionism
dc.titleThe use of the text in the compositional process of Arnold Schoenberg's Erwartung
dc.typeArtículos de revistas


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