dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2016-03-02T13:02:56Z
dc.date.available2016-03-02T13:02:56Z
dc.date.created2016-03-02T13:02:56Z
dc.date.issued2014
dc.identifierProceedings of World Congress on Communication and Arts, v. 7, n. 1, p. 269-272, 2014.
dc.identifier2317-1707
dc.identifierhttp://hdl.handle.net/11449/135466
dc.identifierISSN2317-1707-2014-07-01-269-272.pdf
dc.identifier5190303339099095
dc.description.abstractThe Colombian artist Doris Salcedo demonstrates, through his works, the universal vulnerability of human beings. The artist uses a concrete materiality such as furniture that is part of everyday life, and builds abstract works, sometimes unusual images, requiring the reader to excavate layers of memory and adjust his perception to decipher the poetic deviation and establish the sense. The theme is violence that humanity was and still been submitted in all corners of the world, particularly Latin America in the stories of oppression, dictatorships, civil wars, civil rights violated, etc. Her works echo the "silent scream" of the vulnerable.
dc.languagepor
dc.relationProceedings of World Congress on Communication and Arts
dc.rightsAcesso aberto
dc.sourceCurrículo Lattes
dc.subjectLatin America
dc.subjectContemporary art
dc.subjectDoris Salcedo
dc.titleDoris Salcedo: memórias da exclusão e violência
dc.typeArtículos de revistas


Este ítem pertenece a la siguiente institución