This article aims to analyze the series of engravings called Passagens entre Paisagens, in which different media are used, such as digital photography, the engraving of matrices, printing, scanning and reprinting of images on other media. These works present different granulations and textures, whose characteristics are problematized by the operations of contact between image-matrix and matrix-image, between traditional media and (re) mediation by numerical means; conceptual issues regarding the matrix, image and (re) mediation are addressed according to authors such as Vilém Flusser (2008), David Bolter and Richard Grusin (2000), Edmond Couchot (2003), among others.