Photography through the process files: reflections on the publication of the contact sheets

dc.creatorSoares, Camila Mangueira
dc.creatorFava, Fabrício Mário Maia
dc.date2017-05-18
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/80109
dc.descriptionBased on the current recurrence of publications and discussions related to the materials of photographic creation process, this article presents an investigation on the contact sheets as an information material pertinent to the complexity of the making and, thus, thought in photography. Therefore, the analysis focuses on the contact sheets published in the books Magnum Contacts and Proof and the DVDs Contacts. The study took place under the theoretical perspective of the process criticism proposed by Cecilia Salles, which, based on Peircean semiotics, presents itself as a mean of perception of photography beyond the idea of product, enabling its understanding from the relations of interconnection and interaction between thought and materialities.en-US
dc.formatapplication/pdf
dc.languageeng
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/80109/46977
dc.rightsCopyright (c) 2017 Camila Mangueira Soares, Fabrício Mário Maia Favapt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 22 n. 36 (2017): DOSSIÊ: MODOS DE ABORDAGEM DA ARTEpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectCommunication. Semiotics. Process Cristicism. Photography. Contact sheets.en-US
dc.subjectArtesen-US
dc.subjectArtes Visuaisen-US
dc.titlePhotography through the process files: reflections on the publication of the contact sheetsen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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