The contemporary photography and its pictorial sharings: antinomies and convergences

dc.creatorRibeiro, Niura Legramante
dc.date2017-08-09
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/73729
dc.descriptionThe sharing between photography and painting in contemporary art may present at least two founding regimes for the creation of works: to propose antinomies as discontinuities between the contents of image representation and to verbal narratives associated to it, seeking to tension them, or, on the other hand, to seek convergence between text and image. This articles aims to think about how the universe of pictorial tradition serves as a compositional framework for photographic practices, through the case study of particular works by Dirnei Prates and Felipe Cama.en-US
dc.formatapplication/pdf
dc.languageeng
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/73729/41499
dc.rightsCopyright (c) 2017 Niura Legramante Ribeiropt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 21 n. 35 (2016): DOSSIÊ: TRANSBORDAMENTOS ENTRE FOTOGRAFIA E ARTEpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectPhotography. Painting. Sharings. Antinomies. Convergences.en-US
dc.subjectPhotography. Painting.en-US
dc.titleThe contemporary photography and its pictorial sharings: antinomies and convergencesen-US
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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