dc.creator | Fabris, Marcos | |
dc.date | 2017-08-09 | |
dc.identifier | https://seer.ufrgs.br/index.php/PortoArte/article/view/73725 | |
dc.description | This article intends to investigate the oeuvre of the American contemporary artist Barbara Kruger, contextualizing the birth and development of installation, and the so-called "Site Specific Works", tools frequently used by this artist. Some of her artistic matrixes will also be investigated, as well as the fruitful dialogue established with a certain tradition, in order to produce what I consider to be a combative and composite art, one that amalgamates and refunctionalizes elements of advertising, visual arts, and photography. | en-US |
dc.format | application/pdf | |
dc.language | eng | |
dc.publisher | PPGAV-UFRGS | pt-BR |
dc.relation | https://seer.ufrgs.br/index.php/PortoArte/article/view/73725/41495 | |
dc.rights | Copyright (c) 2017 Marcos Fabris | pt-BR |
dc.source | PORTO ARTE: Revista de Artes Visuais; v. 21 n. 35 (2016): DOSSIÊ: TRANSBORDAMENTOS ENTRE FOTOGRAFIA E ARTE | pt-BR |
dc.source | 2179-8001 | |
dc.source | 0103-7269 | |
dc.subject | Installation Art. Site Specific Works. Barbara Kruger. | en-US |
dc.title | Installation art and site specific works: art as opposition | en-US |
dc.type | info:eu-repo/semantics/article | |
dc.type | info:eu-repo/semantics/publishedVersion | |
dc.type | "Avaliado pelos pares", "Artigo não avaliado pelos pares", | pt-BR |