dc.creatorBodman, Sarah
dc.date2013-12-08
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/44080
dc.descriptionThe Centre for Fine Print Research (CFPR) at the University of the West of England, Bristol UK publishes reference materials on contemporary printmaking and related areas for an international audience. Three of its established publications focus on artists’ books: the biennial “Artist’s Book Yearbook”, “The Blue Notebook” journal for artists’ books, and the free download “Book Arts Newsletter”. In this article, the editor of these three publications reflects upon how they were established, and some of the successes, trials and tribulations of publishing under an institutional imprint. From conception, content and design, to funding, print and distribution of hard copy and digital download, to their international base of readers.pt-BR
dc.formatapplication/pdf
dc.languagepor
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/44080/27693
dc.rightsCopyright (c) 2013 Sarah Bodmanpt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 19 n. 33 (2012): DOSSIÊ: A UNIVERSIDADE E OS PERIÓDICOS DE ARTEpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectartists’ bookspt-BR
dc.subjectpublishingpt-BR
dc.subjectinstitutionalpt-BR
dc.subjectbook artspt-BR
dc.subjectdistributionpt-BR
dc.titlePublish and be damned: how to be an underground institutional publisherpt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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