| dc.creator | Freitas, Artur | |
| dc.date | 2013-03-20 | |
| dc.identifier | https://seer.ufrgs.br/index.php/PortoArte/article/view/37951 | |
| dc.description | The painter Miguel Bakun worked during the 1940’s and 1950’s and his paintings are little known in the Brazilian art historiography. Bakun’s paintings can be interpreted as a way of questioning the dichotomy between “academic” and “modern” in Brazilian context. This questioning is interesting for an expanded understanding of Brazilian art in the first half of the 20th century. | pt-BR |
| dc.format | application/pdf | |
| dc.language | por | |
| dc.publisher | PPGAV-UFRGS | pt-BR |
| dc.relation | https://seer.ufrgs.br/index.php/PortoArte/article/view/37951/24451 | |
| dc.rights | Copyright (c) 2013 Artur Freitas | pt-BR |
| dc.source | PORTO ARTE: Revista de Artes Visuais; v. 18 n. 31 (2011): DOSSIÊ: PINTURA CONTEMPORÂNEA | CAMPOS E PROCESSOS | pt-BR |
| dc.source | 2179-8001 | |
| dc.source | 0103-7269 | |
| dc.subject | Miguel Bakun | pt-BR |
| dc.subject | Brazilian art | pt-BR |
| dc.subject | Modernism | pt-BR |
| dc.title | Scattered nature: Miguel Bakun | pt-BR |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | "Avaliado pelos pares", "Artigo não avaliado pelos pares", | pt-BR |
