dc.creatorFreitas, Artur
dc.date2013-03-20
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/37951
dc.descriptionThe painter Miguel Bakun worked during the 1940’s and 1950’s and his paintings are little known in the Brazilian art historiography. Bakun’s paintings can be interpreted as a way of questioning the dichotomy between “academic” and “modern” in Brazilian context. This questioning is interesting for an expanded understanding of Brazilian art in the first half of the 20th century.pt-BR
dc.formatapplication/pdf
dc.languagepor
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/37951/24451
dc.rightsCopyright (c) 2013 Artur Freitaspt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 18 n. 31 (2011): DOSSIÊ: PINTURA CONTEMPORÂNEA | CAMPOS E PROCESSOSpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectMiguel Bakunpt-BR
dc.subjectBrazilian artpt-BR
dc.subjectModernismpt-BR
dc.titleScattered nature: Miguel Bakunpt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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