dc.creatorMello, Ricardo Perufo
dc.date2013-03-20
dc.identifierhttps://seer.ufrgs.br/index.php/PortoArte/article/view/37950
dc.descriptionThis brief essay was based on the subject “Processos Híbridos na Arte Contemporânea” (Hybrid processes in contemporary art), lectured by professor Sandra Ray in the Post-Graduation course of Visual Arts, UFRGS. Here will be presented some of the main ideas of the research on visual poetics that is being developed in the course, punctually considering the concepts of cross-breeding and hybridism and their respective applications as theoretical instruments. The research encompasses photography means (as the producer of images that, through a precise process, are faithfully painted) and paintings means (as the result) in its intersections, being its main historical referential the Hyperrealist movement.pt-BR
dc.formatapplication/pdf
dc.languagepor
dc.publisherPPGAV-UFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/index.php/PortoArte/article/view/37950/24450
dc.rightsCopyright (c) 2013 Ricardo Perufo Mellopt-BR
dc.sourcePORTO ARTE: Revista de Artes Visuais; v. 18 n. 31 (2011): DOSSIÊ: PINTURA CONTEMPORÂNEA | CAMPOS E PROCESSOSpt-BR
dc.source2179-8001
dc.source0103-7269
dc.subjectcontemporary paintingpt-BR
dc.subjectcross-breedingpt-BR
dc.subjecthybridismpt-BR
dc.subjectphotographypt-BR
dc.subjectvideographic imagept-BR
dc.titleRarefaction: imagetic paradoxes (cross-breeding in the pictorial poetics of a rarefied videographic image)pt-BR
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.type"Avaliado pelos pares", "Artigo não avaliado pelos pares",pt-BR


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