RAMEAU AND THE RHETORIC OF MUSIC THEORY

RAMEAU AND THE RHETORIC OF MUSIC THEORY

dc.contributorpt-BR
dc.contributoren-US
dc.creatorChristensen, Thomas
dc.date2009-02-04
dc.date.accessioned2018-11-07T19:54:38Z
dc.date.available2018-11-07T19:54:38Z
dc.identifierhttps://seer.ufrgs.br/EmPauta/article/view/9398
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/2180445
dc.descriptionBy arguing that Jean Phillippe Rameau’s (1683-1764) rethrocial resources and Cartesian devices cannot be disentangled from the language and cultural milieu by which his discourse is articulated, the author argues that, as for the music, theorists nowadays, the discipline depends on a culturally resonant language for its effectiveness and communication.pt-BR
dc.descriptionBy arguing that Jean Phillippe Rameau’s (1683-1764) rethrocial resources and Cartesian devices cannot be disentangled from the language and cultural milieu by which his discourse is articulated, the author argues that, as for the music, theorists nowadays, the discipline depends on a culturally resonant language for its effectiveness and communication.en-US
dc.formatapplication/pdf
dc.languagepor
dc.publisherUFRGSpt-BR
dc.relationhttps://seer.ufrgs.br/EmPauta/article/view/9398/5431
dc.sourceEm Pauta; v. 16, n. 27 (2005); 5pt-BR
dc.source0103-7420
dc.subjectpt-BR
dc.subjectRameau, music theory, rhetoricpt-BR
dc.subjectpt-BR
dc.subjecten-US
dc.subjectRameau, music theory, rhetoricen-US
dc.subjecten-US
dc.titleRAMEAU AND THE RHETORIC OF MUSIC THEORYpt-BR
dc.titleRAMEAU AND THE RHETORIC OF MUSIC THEORYen-US
dc.typeArtículos de revistas
dc.typeArtículos de revistas
dc.coveragept-BR
dc.coveragept-BR
dc.coveragept-BR
dc.coverageen-US
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