dc.creatorPEREIRA, Valeria Sabrina
dc.date.accessioned2012-04-18T21:01:40Z
dc.date.accessioned2018-07-04T14:34:24Z
dc.date.available2012-04-18T21:01:40Z
dc.date.available2018-07-04T14:34:24Z
dc.date.created2012-04-18T21:01:40Z
dc.date.issued2010
dc.identifierREVISTA DE LETRAS, v.50, n.1, p.185-198, 2010
dc.identifier0101-3505
dc.identifierhttp://producao.usp.br/handle/BDPI/15039
dc.identifierhttp://seer.fclar.unesp.br/letras/article/view/3171/2897
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1611883
dc.description.abstractMontage was one of the great innovations of avant-garde literature. As time went by, this technique lost some of its shock effect and became increasingly a method for structuring the text. After the avant-garde literature movement, collage started to be mentioned as a concept together with montage, many times as a complement, but the concepts are often blended into each other. In this article, there will be an attempt to delimit what is montage and what is collage through an exposition of some theories and the examination of the way they are applied in the work of a contemporary writer, the German Walter Kempowski.
dc.languagepor
dc.publisherUNIV ESTADUAL PAULISTA-UNESP
dc.relationRevista de Letras
dc.rightsCopyright UNIV ESTADUAL PAULISTA-UNESP
dc.rightsopenAccess
dc.subjectMontage
dc.subjectCollage
dc.subjectWorld War II
dc.titleMontagem e colagem na obra de Walter Kempowski
dc.typeArtículos de revistas


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