Body Gestures In The Performance Of Andres Segovia

Gestos Corporais Na Performance De Andrés Segovia

dc.creatorMadeira
dc.creatorBruno; Scarduelli
dc.creatorFabio
dc.date2016
dc.datedez
dc.date2017-11-13T13:45:35Z
dc.date2017-11-13T13:45:35Z
dc.date.accessioned2018-03-29T06:00:15Z
dc.date.available2018-03-29T06:00:15Z
dc.identifierRevista Vortex-vortex Music Journal. Univ Estadual Paraná, Escola Música & Belas Artes Paraná, v. 4, p. , 2016.
dc.identifier2317-9937
dc.identifierWOS:000394456400006
dc.identifierhttp://vortex.unespar.edu.br/
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/329041
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1366066
dc.descriptionthis paper analyzes the body behavior of classical guitarist Andres Segovia while performing Variations on a theme of Mozart, op. 9, by Fernando Sor. The main purpose of the analysis is to seek relationships between body gesture and musical material, from the theoretical basis exposed in Madeira e Scarduelli (2014, 2015) and Laban (1978). From the observation of Segovia's movements, one hopes that music students and professional musicians could reflect upon the role of the body in the performance as potentiator of musical meaning.
dc.description4
dc.description3
dc.languagePortuguese
dc.publisherUniv Estadual Paraná, Escola Música & Belas Artes Paraná
dc.publisherCuritiba
dc.relationRevista Vortex-Vortex Music Journal
dc.rightsaberto
dc.sourceWOS
dc.subjectBody Gesture
dc.subjectInstrumental Technique
dc.subjectMusical Meaning
dc.subjectClassical Guitar
dc.subjectAndres Segovia
dc.titleBody Gestures In The Performance Of Andres Segovia
dc.titleGestos Corporais Na Performance De Andrés Segovia
dc.typeArtículos de revistas


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