dc.creatorMonteiro, Marko
dc.date2011
dc.date2015-11-27T13:21:58Z
dc.date2015-11-27T13:21:58Z
dc.date.accessioned2018-03-29T01:14:02Z
dc.date.available2018-03-29T01:14:02Z
dc.identifierHistória, Ciências, Saúde--manguinhos. v. 18, n. 3, p. 641-60, 2011.
dc.identifier1678-4758
dc.identifier
dc.identifierhttp://www.ncbi.nlm.nih.gov/pubmed/22012090
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/199664
dc.identifier22012090
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1299897
dc.descriptionContemporary scientific practices for representing the body are investigated ethnographically through a comparative analysis with the Renaissance anatomical theater, a practice used to understand the body in early modern science. First and foremost, I seek to reveal the manner in which visualization of the inside of the body produces knowledge of its functioning. The conclusion is that, currently, the production of knowledge greatly privileges the validation of code and modeling of the biological processes in which one wishes to intervene. The objective is to unveil the meaning of the circulation of images, data and theories that bring together material bodies, visualization techniques and scientists, enabling the production of truth about the body in a biological sense.
dc.description18
dc.description641-60
dc.languageeng
dc.languagepor
dc.relationHistória, Ciências, Saúde--manguinhos
dc.relationHist Cienc Saude Manguinhos
dc.rightsaberto
dc.rights
dc.sourcePubMed
dc.titleThe Digital Anatomical Theater: Scientific Practices For Representing The Body.
dc.typeArtículos de revistas


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