dc.creatorBarbedo, JGA
dc.creatorLopes, A
dc.creatorWolfe, PJ
dc.date2009
dc.dateSEP
dc.date2014-11-20T06:53:50Z
dc.date2015-11-26T17:16:48Z
dc.date2014-11-20T06:53:50Z
dc.date2015-11-26T17:16:48Z
dc.date.accessioned2018-03-29T00:04:58Z
dc.date.available2018-03-29T00:04:58Z
dc.identifierIeee Transactions On Audio Speech And Language Processing. Ieee-inst Electrical Electronics Engineers Inc, v. 17, n. 7, n. 1435, n. 1444, 2009.
dc.identifier1558-7916
dc.identifierWOS:000268528800004
dc.identifier10.1109/TASL.2009.2021542
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/64704
dc.identifierhttp://www.repositorio.unicamp.br/handle/REPOSIP/64704
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/64704
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1282362
dc.descriptionWe present a sequence of empirical methods to determine the number of sources in musical signals when only one channel is available. Rather than building evidence through a statistical model-based approach, we instead develop a carefully tuned and tested two-stage system that is able to function effectively even in extremely underdetermined conditions. A first, more general procedure accurately determines the number of sources that are not closely harmonically related, while the second stage subsequently detects the presence of any remaining sources. The main advantages of this approach lie in its avoidance of the restrictive assumptions that can accompany more complex models in underdetermined cases, and in its use of robust heuristics to identify and exploit as much source-specific information as possible. These features make it possible to address even the most difficult cases in which sources are closely harmonically related, or even share the same fundamental frequency. We report an overall accuracy of nearly 80% on average, using both random and harmonically related mixtures of one to six sources taken from two widely available musical instrument databases-a notable result that demonstrates both the efficiency and the robustness of our proposed procedure.
dc.description17
dc.description7
dc.description1435
dc.description1444
dc.languageen
dc.publisherIeee-inst Electrical Electronics Engineers Inc
dc.publisherPiscataway
dc.publisherEUA
dc.relationIeee Transactions On Audio Speech And Language Processing
dc.relationIEEE Trans. Audio Speech Lang. Process.
dc.rightsfechado
dc.rightshttp://www.ieee.org/publications_standards/publications/rights/rights_policies.html
dc.sourceWeb of Science
dc.subjectHarmonically related sounds
dc.subjectmusic transcription
dc.subjectpolyphonic music
dc.subjectsource number estimation
dc.subjectBlind Source Separation
dc.subjectSpeech Signals
dc.subjectMixtures
dc.titleEmpirical Methods to Determine the Number of Sources in Single-Channel Musical Signals
dc.typeArtículos de revistas


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