The Concerto for Viola and Orchestra by Antonio Borges-Cunha: form and interpretation

dc.creatorKubala, RL
dc.creatorde Biaggi, EL
dc.date2013
dc.date2014-07-31T13:53:35Z
dc.date2015-11-26T16:57:47Z
dc.date2014-07-31T13:53:35Z
dc.date2015-11-26T16:57:47Z
dc.date.accessioned2018-03-28T23:45:24Z
dc.date.available2018-03-28T23:45:24Z
dc.identifierMusica Hodie. Univ Federal Goias, v. 13, n. 1, n. 192, n. 200, 2013.
dc.identifier1676-3939
dc.identifierWOS:000323546700015
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/74987
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/74987
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1277764
dc.descriptionThis article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.
dc.description13
dc.description1
dc.description192
dc.description200
dc.languagept
dc.publisherUniv Federal Goias
dc.publisherGoiania Go
dc.publisherBrasil
dc.relationMusica Hodie
dc.relationMusica Hodie
dc.rightsaberto
dc.sourceWeb of Science
dc.subjectBrazilian contemporary music
dc.subjectMusic for viola and orchestra
dc.subjectMusical interpretation
dc.titleThe Concerto for Viola and Orchestra by Antonio Borges-Cunha: form and interpretation
dc.typeArtículos de revistas


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