dc.creatorPadovani, JH
dc.creatorFerraz, S
dc.date2011
dc.date2014-07-30T14:18:30Z
dc.date2015-11-26T16:43:39Z
dc.date2014-07-30T14:18:30Z
dc.date2015-11-26T16:43:39Z
dc.date.accessioned2018-03-28T23:28:45Z
dc.date.available2018-03-28T23:28:45Z
dc.identifierMusica Hodie. Univ Federal Goias, v. 11, n. 2, n. 11, n. 35, 2011.
dc.identifier1676-3939
dc.identifierWOS:000306999200002
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/58355
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/58355
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1273661
dc.descriptionClosely linked to the very evolution of the musical instruments and the experimentations on their handling, the extended techniques involve the use of instrumental and vocal resources that are unusual in a given historical, esthetical and cultural context. In the paper, we present examples that demonstrate the exploration of extended techniques in musical pieces ranging from the seventeenth century to today. Finally, we sketch briefly the current state of the composition with new technical resources, and present the possibilities of using electronic and computing tools in the musical creation, leading so to a redefinition of the "extended techniques".
dc.description11
dc.description2
dc.description11
dc.description35
dc.languagept
dc.publisherUniv Federal Goias
dc.publisherGoiania Go
dc.publisherBrasil
dc.relationMusica Hodie
dc.relationMusica Hodie
dc.rightsaberto
dc.sourceWeb of Science
dc.subjectExtended techniques
dc.subjectMusic history
dc.subjectInteractive music systems
dc.titlePROTO-HISTORY, EVOLUTION AND CURRENT STUATION OF THE EXTENDED TECHNIQUE IN THE MUSICAL CREATION
dc.typeArtículos de revistas


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