Performance Aspects on Portuguese Thorough-Bass Treatises

dc.creatorDias, GA
dc.date2012
dc.date2014-07-30T14:31:04Z
dc.date2015-11-26T16:10:01Z
dc.date2014-07-30T14:31:04Z
dc.date2015-11-26T16:10:01Z
dc.date.accessioned2018-03-28T22:58:38Z
dc.date.available2018-03-28T22:58:38Z
dc.identifierMusica Hodie. Univ Federal Goias, v. 12, n. 2, n. 57, n. 70, 2012.
dc.identifier1676-3939
dc.identifierWOS:000315511900006
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/59239
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/59239
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1266764
dc.descriptionThe Portuguese theory of thorough-bass between the eighteenth-century and the early nineteenth century reflects the musical moment experienced by Portugal in the Baroque era. Under strong Italian influence, the preponderance of musical practice in Portugal alternates between the repertoire of church music from Roman style, and the secular music, represented by operas, serenades and instrumental works. The musical styles found in this period reflect the coexistence of both secular and church music, which also characterizes the theory of thorough-bass. In this paper I try to analyze aspects of performance from five prominent Portuguese treatises, published between 1735 and 1806, in order to find evidence of contemporary musical practice.
dc.description12
dc.description2
dc.description57
dc.description70
dc.languagept
dc.publisherUniv Federal Goias
dc.publisherGoiania Go
dc.publisherBrasil
dc.relationMusica Hodie
dc.relationMusica Hodie
dc.rightsaberto
dc.sourceWeb of Science
dc.subjectThorough-bass
dc.subjectPortuguese music in eighteenth-century
dc.subjectBaroque Music Performance
dc.titlePerformance Aspects on Portuguese Thorough-Bass Treatises
dc.typeArtículos de revistas


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