dc.creatorReily, L
dc.creatorPanhan, H
dc.creatorTupinamba, A
dc.date2009
dc.date2014-11-20T04:55:18Z
dc.date2015-11-26T16:06:07Z
dc.date2014-11-20T04:55:18Z
dc.date2015-11-26T16:06:07Z
dc.date.accessioned2018-03-28T22:55:02Z
dc.date.available2018-03-28T22:55:02Z
dc.identifierAugmentative And Alternative Communication. Taylor & Francis Ltd, v. 25, n. 4, n. 217, n. 224, 2009.
dc.identifier0743-4618
dc.identifierWOS:000272968300001
dc.identifier10.3109/07434610903322011
dc.identifierhttp://www.repositorio.unicamp.br/jspui/handle/REPOSIP/79727
dc.identifierhttp://www.repositorio.unicamp.br/handle/REPOSIP/79727
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/79727
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1265858
dc.descriptionThis paper presents and analyzes a finding that gives evidence of the use of a low-tech communication device long before the formal establishment of the field of augmentative and alternative communication. The device, a simple low-tech alphabet board, is portrayed in a 1920 painting of World War I veterans by German Expressionist Otto Dix. Entitled 'War Cripples,' the painting shows one of the veterans, who sustained severe disfigurement and jaw mutilation resulting in speech loss, pointing to a letter on a chart pinned to his uniform. The analysis of the painting utilized Aby Warburg's methodology for researching the significance of images within the cultural context in which they are produced.
dc.description25
dc.description4
dc.description217
dc.description224
dc.languageen
dc.publisherTaylor & Francis Ltd
dc.publisherAbingdon
dc.publisherInglaterra
dc.relationAugmentative And Alternative Communication
dc.relationAugment. Altern. Commun.
dc.rightsfechado
dc.rightshttp://journalauthors.tandf.co.uk/permissions/reusingOwnWork.asp
dc.sourceWeb of Science
dc.subjectAugmentative and alternative communication
dc.subjectAcquired communication disorders
dc.subjectAlphabet device
dc.subjectWar injuries
dc.subjectFacial disfigurement
dc.subjectGerman Expressionism
dc.subjectArt
dc.titleEarly Evidence of Low-Tech Communication in an Otto Dix Painting of 1920
dc.typeArtículos de revistas


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