Popular Music And Policing In Brazil

dc.creatorZan J.R.
dc.date2003
dc.date2015-06-30T17:33:05Z
dc.date2015-11-26T14:12:42Z
dc.date2015-06-30T17:33:05Z
dc.date2015-11-26T14:12:42Z
dc.date.accessioned2018-03-28T21:13:22Z
dc.date.available2018-03-28T21:13:22Z
dc.identifier9781566399890
dc.identifierPolicing Pop. Temple University Press, v. , n. , p. 205 - 220, 2003.
dc.identifier
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dc.identifierhttp://www.scopus.com/inward/record.url?eid=2-s2.0-84901872294&partnerID=40&md5=59a6aac021cbbd92dff7e90cf84d6d4b
dc.identifierhttp://www.repositorio.unicamp.br/handle/REPOSIP/102617
dc.identifierhttp://repositorio.unicamp.br/jspui/handle/REPOSIP/102617
dc.identifier2-s2.0-84901872294
dc.identifier.urihttp://repositorioslatinoamericanos.uchile.cl/handle/2250/1242077
dc.descriptionUrban popular music, with all its diverse genres and styles, was a major feature of Brazilian cultural life in the twentieth century. Composers and songwriters chronicled this period, and their work translated the social experience of rapid urbanization characteristic of the development of peripheral capitalism. Popular music was the target of political censorship at certain times because the lyrics' use of satire, parody, and metaphor had the potential to undermine the symbolism and doctrine of the Brazilian power elite. Political censorship took a special interest in popular music in two periods. The first was during the New State (1937-1945), the dictatorial period under Getulio Vargas; the other was during the 1964-1982 military dictatorship. In this chapter I look at the political and ideological contexts in which censorship was directed at this aspect of cultural life-and also at some more recent instances where censorship has intervened in popular music despite the current absence of specific legislation. First, however, we will examine the formative period for urban popular music in the early twentieth century, and the social conflicts associated with the origin and consolidation of popular musical in Rio de Janeiro, the capital of Brazil at that time. © 2003 by The Temple University Press. All rights reserved.
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dc.description205
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dc.languageen
dc.publisherTemple University Press
dc.relationPolicing Pop
dc.rightsfechado
dc.sourceScopus
dc.titlePopular Music And Policing In Brazil
dc.typeCapítulos de libros


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