I recently saw Angelin Preljocaj’s Rite of Spring (2001) on film. This was the latest of many ballets staged by the French choreographer from the repertoire of the Ballets Russes. Earlier Preljocaj had offered the world ...

Four genres of Indo-Trinidadian dance—folk, film, chutney and classical—have opened spaces in which gender (as well as ethnic, national and class) identities are negotiated and chosen from an increasing variety of options. ...