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As câmeras cinematográficas nos anos 1950/1960 e o cinema brasileiro
(Universidade Federal de São CarlosBRUFSCarPrograma de Pós-Graduação em Imagem e Som - PPGIS, 2010-08-02)
The motion picture cameras have changed through the years. However, they have kept their main design which has not changed during this period. One of the goals of this text is to understand how that design was created, and ...
A Tradição oral no cinema nigeriano: Análise do filme The Narrow Path de Tunde Kelani (2007)
(Universidade Federal de São Paulo (UNIFESP), 2013)
The nigerian film industry is known to the high number of productions, and most of these films it refers to Yoruba culture. From the analysis of the movie The narrow path, director Tunde Kelani, this research sought to ...
Cinema and/as Revolution: The New Latin American Cinema
(2013)
The New Latin American Cinema has been traditionally defined as a political cinema committed to the transformation of the social conditions that characterized Latin America in the 1960s. The notion of revolution has been ...
Filmes periféricos e as margens do cinema brasileiro : um estudo de caso a partir do longa-metragem Cartão Postal
(Universidade Federal de São CarlosUFSCarPrograma de Pós-Graduação em Imagem e Som - PPGISCâmpus São Carlos, 2015-12-01)
This work focuses on Brazilian independent cinema and the new paths cinematographers, specially the young ones, are following to make movies. The idea is to observe the new contemporary Brazilian cinema scene and some of ...
Cinema VR: entre fronteiras
(Universidade Estadual Paulista (Unesp), 2022-01-17)
Transportar o público para dentro de um mundo simulado e circundar o sujeito com imagens feitas em 360 graus, faz parte da história das representações visuais. O cinema, logo quando foi inventado, também propôs esse ...
A Gaze Turned Towards Europe: Modernity and Tradition in the Work of Horacio Coppola
(Indiana University Press, 2017)
The period of avant-garde movements in the 1920s marks the beginning of a singular moment, in which, for the first time, one can speak of a certain parallelism between modernity in the visual arts--above all painting and ...
Deus escreve certo por linhas tortas
(2012)
If cinema is an essentially urban means of expression, the fruit of technique and industry, can a film narrator express in a film’s esthetics a caipira’s « Weltanschauung » (world vision or philosophy) ? We suggest, agreeing ...