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Creative experiences with the audiovisual and the trajectories of the subject
(Universidad Catolica Silva Henriquez, 2017)
The purpose of this article is to analyze how a methodology of aesthetic self-expression with audiovisual resources developed in specific workshops has allowed the emergence of fluid subjectivities within contexts where ...
La autoexpresión en la producción artística educativa a través de la abstracciónSelf-expression in Educational Artistic Production Through Abstraction
(Universidad Nacional de Educación, 2022)
La autoexpresión en la producción artística educativa a través de la abstracciónSelf-expression in Educational Artistic Production Through Abstraction
(Universidad Nacional de Educación, 2022)
Quimeras no autorretrato: Virginia Oldoïni e Claude Cahun
(Universidade Tecnológica Federal do ParanáCuritibaBrasilCurso de Especialização em Artes HíbridasUTFPR, 2016-04-26)
Artists have been producing photographic self-portraits as forms of creative expression and to question the representation of the feminine. In the development of this paper it was decided to show two photographers: Virginia ...
Percorrendo o caminho do Tenchi Tessen a partir da teoria psicanalítica: o self, o movimento e a criatividade.
(Universidade Católica de Pernambuco, 2020-06-01)
This research paper had in its goal to reflect on TenChi Tessen from Winnicott’s
psychoanalytic theory, aiming to estabilish the possible relations between the
practice of TenChi Tessen’s movements and the expression of ...
Women’s everyday creative activities: A qualitative study
(Sciendo, 2019-06)
The objective is to analyze manifestations of everyday creativity from the perspective of a group of women. We are interested in recovering the voices of the participants to understand constructed meanings regarding the ...
Sentidos e significados para o se-movimentar na dança em cadeira de rodas
(Universidade Federal de Santa MariaBREducação FísicaUFSMPrograma de Pós-Graduação em Educação Física, 2016-03-21)
We come upon critical about to dance and doing dance through techniques or "nontechnical"
based in the repetition and copying movements, studies that warn us to the
necessity of theoretical insights to legitimize dance ...