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The integration between singing and acting skills and creative autonomy as the basic requirements for a scenic credibility in the classical singer's performance
(Univ Federal Goias, 2018-01-01)
The article aims to point out that the singer's capability to integrate his/her singing and acting abilities and that the ability to perform his/her creative tasks in an autonomous manner are basic requirements for his/her ...
The singer-actor's projective modes: an important principle for the scenic development of classical singers
(Programa Pos-graduacao Musica-ppgm, 2021-12-01)
The present article is an excerpt from the doctoral thesis defended by the author (GUSE, 2018), in which a compendium of exercises is proposed aimed at the scenic development of the classical Singer, based on the principles ...
O cantor-ator: contribuições para o desenvolvimento cênico do cantor lírico a partir de Wesley Balk
(Universidade Estadual Paulista (Unesp), 2018-01-30)
O termo cantor-ator refere-se a cantores líricos que levem em conta qualquer grau de responsabilidade cênica existente em qualquer tipo de performance de seu repertório, considerando que o ato de cantar em público já é em ...
Teoría de la Forma: máquinas escénicas / Theory of the Form: scenic machines
(Facultad de Humanidades de la Universidad Central "Marta Abreu" de Las Villas, 2020)
The Scenic Performance as Subversive Negativity: radical alterity and trava sudaca performance in the voice of Susy Shock
(Universidade Federal do Rio Grande do Sul, 2020)
Dispositivo Escénico Relacional: nuevos formatos de activación, traducción, desciframiento e interferencia para las artes escénicas contemporáneasRelational Scenic Device: New Formats of Activation, Translation, Decoding and Interference for Contemporary Performing Arts
(Facultad de Filosofía y Letras, Universidad de Buenos Aires, 2022)
The Performative Presence in the Scenics Arts and the ImprovisationLa Présence Performative dans les Arts de la Scène et l’ImprovisationA Presença Performativa nas Artes da Cena e a Improvisação
(Universidade Federal do Rio Grande do Sul, 2011)
Èmí, Ofò, Asé: Elinga and the dance of the Mulheres do Àse
(Universidade Federal do Rio Grande do Sul, 2020)
Saberes escénicos y actuación: Las bases de los discursos sobre la praxis en el teatro ArgentinoScenic knowledge and performance: The basis of speeches about praxis in Argentine theater
(Real Escuela Superior de Arte Dramático, 2020-12)
Este trabajo se ocupará de pensar acerca de una modalidad de investigación en arte que reúne saberes específicos de la escena, pero sin asumirse como parte del campo investigativo. Se tomarán como referencia conceptualizaciones ...
A Glance Upon Material for the Spine, by Steve PaxtonUn Regard sur le Matériel est the Spine, Steve PaxtonA Glance Upon Material for the Spine, by Steve Paxton
(Universidade Federal do Rio Grande do Sul, 2022)