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Identification of carbon-based black pigments in four South American polychrome wooden sculptures by Raman microscopy
(Springer, 2015-06)
Introduction: Carbon-based pigments are a group of dark-colored materials, which are classified according to the starting material used and their manufacturing process. Raman spectroscopy is an ideal technique for the ...
Identification of carbon‑based black pigments in four South American polychrome wooden sculptures by Raman microscopy
(Chemistry Central, 2015-06)
Introduction: Carbon-based pigments are a group of dark-colored materials, which are classified according to the starting material used and their manufacturing process. Raman spectroscopy is an ideal technique for the ...
Virtuous colours for Mary. Identification of lapis lazuli, smalt and cochineal in the Andean colonial image of Our Lady of Copacabana (Bolivia)
(The Royal Society, 2016-12)
The image of Our Lady of Copacabana, a gilded polychrome sculpture carved in maguey wood in 1583, is one of the most important devotions in the Americas. In former research, we have identified the use of gypsum, Armenian ...
Diversidade e singularidade da policromia na escultura sacra de Sabará: século XVIII e início do XIX
(Universidade Federal de Minas GeraisBrasilEBA - ESCOLA DE BELAS ARTESPrograma de Pós-Graduação em ArtesUFMG, 2019-02-21)
This paper deals with the analysis of polychromy of the sacred sculptures of the 18th and early 19th centuries from Sabará city, located in the metropolitan area of Belo Horizonte, MG. For the study we analyzed 22 sculptures ...
Nossa Senhora da Conceição: um caso de remoção de repintura contribuindo para atribuição de autoria
(Universidade Federal de Minas GeraisUFMG, 2007-01-01)
The image of Our Lady of Conception venerated in the Church of San Michael in Cajuru, district of Sao Joao del-Rei, is an excellent example of religious sculpture produced in the state of Minas Gerais during the transition ...
Mary’s Green Brilliance: The Case of the Virgin of Copacabana
(MIT Press, 2014-11)
This article reveals the latest research results on the polychromed sculpture of the Virgin of Copacabana of Bolivia, created by Francisco Tito Yupanqui in 1582. By considering its materials as documents of the past, this ...
Félix Antônio Lisboa: sua vida e trajetória entre o sacerdócio e a arte escultórica
(Universidade Federal de Minas GeraisBrasilEBA - ESCOLA DE BELAS ARTESPrograma de Pós-Graduação em ArtesUFMG, 2020-02-03)
Minas Gerais displays great diversity of images, carvings, paintings, objects full of culture, history and religiosity. Countless artisans responsible for this rich sacred production still await practically in anonymity ...
Técnicas de modelado y fundición en la escultura colonial colombiana
(2018-01)
Si bien la talla en madera -policromada y estofada- es la técnica de mayor trascendencia en el arte neogranadino de la Edad Moderna, no se debe ignorar que existió una gran riqueza material que por mucho tiempo ha quedado ...
Transformación de las expresiones artísticas religiosas en Santiago de Chile, segunda mitad del siglo XIX
(Universidad Adolfo Ibáñez, Facultad de Artes Liberales, Departamento de Historia, 2022)
Durante la segunda mitad del siglo XIX, la configuración de las iglesias y el arte religioso vivieron un cambio significativo, en el que las construcciones coloniales y las esculturas de madera policromada fueron reemplazadas ...