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Ojos que todo ven
(Universidad de Lima, Programa de Estudios GeneralesPerú, 2019)
Vladimiro Montesinos como personaje cinematográfico
de ficción. Desde “Mariposa
negra” hasta “Caiga quien caiga”, ¿cómo
ha visto el cine al tristemente célebre
exasesor presidencial?
Giallo: thriller a la italiana
(Perú, 2017)
Análise fílmica: a representação da mulher como personagem no cinema
(Universidade Tecnológica Federal do ParanáCuritibaBrasilTecnologia em Design GráficoUTFPR, 2020-09-23)
This research presents data on the creation of a film analysis methodology with a focus on female representation in movies. Through analytical concepts of photography and psychology, the research seeks aspects of the film ...
"Oxí Morô”: um curta-metragem experimental de found footage
(Universidade Tecnológica Federal do ParanáCuritibaBrasilTecnologia em Design GráficoUTFPR, 2022-06-23)
This work reports the development of the short film “Oxí Morô”, created from techniques and tools raised during the research. As a theoretical background, theories of montage and cinema from the genres Experimental and ...
Análisis de The End of Evangelion: Ikari Shinji y la negación del recorrido del héroe
(Universidad de Lima, Facultad de ComunicaciónPE, 2019)
Esta investigación se centra en el análisis del protagonista de la película The End
of Evangelion, el cual será estudiado mediante de los conceptos planteados por
Joseph Campbell en su texto El héroe de las mil caras, ...
Entre Portas: construção cenográfica para filme curta-metragem
(Universidade Tecnológica Federal do ParanáCuritibaDepartamento Acadêmico de Desenho Industrial, 2013-04-10)
It presents the production design in cinema as a construction tool of cinematic storytelling, adding layers of meaning to the story, having the main element of creating the scenario. The set design has evolved along with ...
Parameters of disavowal : colonial representation in South Korean Cinema
The career of South Korean filmmaker Im Kwont’aek spans over fifty years and one
hundred films. His 1978 film The Genealogy (Chokpo) marks an important point in
that career, for it shows a departure from the type of films ...
O pensamento industrial cinematografico brasileiro
([s.n.], 2004)