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“Ballet” is a dirty word: Where is ballet in São Paulo?
(2021-01-01)
Professional dancing in São Paulo, Brazil, developed from the 1950s on, with a constant and strong influence from modern dance. As modernism looked disapprovingly at ballet, seeing it as something from the past, prejudice ...
Dança e modernidadeDance and modernity
([s.n.], 2008)
A critical historical view of modern/contemporary dance in Mexico
(Universidade Federal do Rio Grande do Sul, 2021)
On Relations between Dance and Movement: reflections about different meanings of movement and dance
(Universidade Federal do Rio Grande do Sul, 2022)
Matikor, Chutney, Odissi and Bollywood: Identity Politics in Indo-Trinidadian Dance
(2013-06-26)
Four genres of Indo-Trinidadian dance—folk, film, chutney and classical—have opened spaces in which gender (as well as ethnic, national and class) identities are negotiated and chosen from an increasing variety of options. ...
Lo que se bailó en Costa Rica. Actividad dancística ejecutada en los teatros capitalinos de Costa Rica durante el año 2015
(2016-07)
Este texto pretende, como resumen, dar una idea de cuál fue la principal actividad dancística de creadores
nacionales y extranjeros que se ejecutó en los teatros capitalinos de Costa Rica durante el 2015.
Writing for the Ballet in the Eighteenth Century
(Classiques Garnier, 2017-12)
This article studies the links between ballet, writing and power in the 18th century. It first focuses on the “dances in characters” – new scriptural objects, giving rise to a publishing phenomenon in the first half of ...
TECNOLOGICAL BOBY: RELATIONS ABOUT DANCE, TECNOLOGY AND VIDEODANCECORPO TECNOLÓGICO: SOBRE AS RELAÇÕES ENTRE DANÇA, TECNOLOGIA E VIDEODANÇA
(Universidade Federal do Rio Grande do Sul, 2014)
An Audience’s Subjective Experience of the Freedom of Artistic Expression in Different Dance Forms from the Perspective of the Cultural Psychology of Creativity
Previous studies on different dance forms, including classical ballet, modern ballet and flamenco, show that the objective classification of these forms of dance is subjectively relevant, or in other words, the subjective ...