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A alegoria histórica em Manoel de Oliveira: um filme falado
(Universidade Federal de São CarlosBRUFSCarPrograma de Pós-Graduação em Imagem e Som - PPGIS, 2011-08-25)
This research consists of a discourse analysis of Um filme falado (2003), from the Portuguese film director Manoel de Oliveira. The idea is to investigate the meanings implied in the historical allegory built by the director ...
IONESCO, JOYCE AND SHAKESPEARE IN THE CINEMA OF MANOEL DE OLIVEIRA
(Univ Fed Goias, Campus Catalao, 2019-07-01)
Literature and cinema constitute themselves a distinct semiotic system, an aspect that evidences the complexity of the relationship between these arts. The literature presents themes and narrative structures that can inspire ...
The beautiful and the eunuch (about some dissonances in the charming bourgeoisie of Manoel de Oliveira's cinema)
(Univ Estadual Paulista, Fundacao Editora Unesp, 2017-01-01)
The Portuguese filmmaker Manoel de Oliveira (1908-2015) seems faithful to a disjunctive method of film composition that systematically causes shocks to his viewers in such a way that it makes the identification with what ...
O real empírico e fílmico segundo Pasolini e Manoel de Oliveira
(2014-01-01)
This work intends to do a short comparison between the film-makers Pier Paolo Pasolini and Manoel de Oliveira aesthetic ideas keeping the analysis of the relations held by both with the real empirical and filmic as the ...
"Crianceiras" and Manoel de Barros: a transmedia relation"Crianceiras" e Manoel de Barros: uma relação transmidiática
(Universidade Federal de Santa Maria, 2022)