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A representação social do kanaimî, do piya'san e do tarenpokon nas Malocas Canta Galo e Maturuca
(Universidade Católica de Pernambuco, 2012-03-30)
Our study aims to understand the social representations of Kanaimî, the shaman and the people Tarenpokon Macuxi, in Canta's Galo and Maturuca's Villages, located in northeastern Roraima. Aimed to deepen the ideas that ...
A representação social do kanaimî, do piya'san e do tarenpokon nas Malocas Canta Galo e Maturuca
(Universidade Católica de Pernambuco, 2012-03-30)
Our study aims to understand the social representations of Kanaimî, the shaman and the people Tarenpokon Macuxi, in Canta's Galo and Maturuca's Villages, located in northeastern Roraima. Aimed to deepen the ideas that ...
Pajelança e Kanaimé: discursos e identidades dos índios universitários em Boa Vista - RR.
(Universidade Católica de Pernambuco, 2019-11-27)
In this study we analyze the speeches of indigenous university students in the city of Boa Vista-RR to
understand Pajelança, the relations with Kanaimé, the resignifications made about the ritual in the urban
context and ...
Of morenos and cruises: popular religion, exchange and cosmo visionDe morenos y cruceros: religión popular, intercambio y cosmo visión
(Fondo Editorial UNMSMFondo Editorial UNMSM, 1987)
Cocorobé, en rescate de la cultura
(Servicio Nacional de Aprendizaje (SENA)Escuela Nacional de Instructores Rodolfo Martínez Tono (ENI), 2020)
Selos de certificação e signos distintivos associados a produção artística e a agricultura indígena: ferramentas de apoio à sustentabilidade do povo guarani Mbyá
(Universidade Tecnológica Federal do ParanáCuritibaBrasilPrograma de Pós-Graduação em Tecnologia e SociedadeUTFPR, 2022-06-01)
Indigenous art is understood as a valuable border object that can connect the various existing worldviews, as it contains the expression of the life of that society and its knowledge and can assist in changing the relationship ...
El concepto de buen vivir
(Medellín - Colombia, 2023)